![]() Trumpeter Roy Hargrove has firmly established himself as one of this generation's premier players in jazz and beyond. Those who don't will find they have much to learn, and should be excited at the prospect. Those who know these tunes already will enjoy the album most. But it doesn't happen very often, and the overall effect of this album is one of new light being shed on an aging but beautiful art collection. Unless you're listening on headphones or in a quiet room with very good speakers, the rhythmic thread of the bassline can easily get lost in the mix, leaving Scott's syncopated comping sounding disjointed. This approach has its limitations, of course as revealing as Hargrove's solo take on 'Dewey Square' is, sometimes the weight of rhythmic responsibility weighs too heavily on McBride's shoulders during the trio numbers, and the groove suffers. These three musicians, all of whom are part of the back-to-bop youth movement and all of whom have made names for themselves as session players and fledgling bandleaders, approach the tunes with a combination of reverence and iconoclastic innovation - how often do you think you'll hear 'Red Cross' as a bass solo or 'Chasin' the Bird' as a trumpet/bass duet? Download old school blues music. On this unusual album, Roy Hargrove (trumpet, flugelhorn), Christian McBride (bass) and Stephen Scott (piano) pay homage to the father of bebop with a generous set of (mostly) Charlie Parker compositions performed in trio, duet and solo arrangements. ![]()
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